The Count of Luxembourg (1972)
Overview
Der Graf von Luxemburg (The Count of Luxembourg) is an operetta in three acts by Franz Lehár to a German libretto by Alfred Willner, Robert Bodanzky, and Leo Stein. A Viennese take on bohemian life in Paris at the beginning of the 20th century, the story revolves around an impoverished aristocrat and a glamorous opera singer who have entered into a sham marriage without ever seeing each other and later fall in love at first sight, unaware that they are already husband and wife.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | de |
| Popularity | 0.69 |
Directed By
Wolfgang Glück
TOP CAST
Eberhard Wächter
Graf von Luxemburg
Lilian Sukis
Angele Didier
Erich Kunz
Fürst Basil
Peter Fröhlich
Armand Brissard
Helga Papouschek
Juliette Vermont
Similar Movies
The Valet
Caught by tabloid paparazzi with his mistress Elena, a famous and beautiful fashion model, billionaire Pierre Levasseur tries to avoid a divorce by inventing a preposterous lie. He uses the presence of a passerby in the photo to claim to his wife that it's not him Elena is seeing but the other man, one François Pignon. Pignon is a modest little man who works as a parking valet. To make the story convincing, Elena has to move in with Pignon.
The Rules of the Game
A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.
Moulin Rouge!
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
The Party
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
The Party 2
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
Amélie
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
Stolen Kisses
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Antoine and Colette
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Bed and Board
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Love on the Run
Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
The Dreamers
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
Bean
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Étoile aux dents ou Poulou le magnifique
In the 70s, in the Goutte d'or district, three friends of Algerian origin: Poulou, a failed boxer, Amar, the clumsiest of thieves, and Jibé, a public writer for illiterate compatriots whose lives he knows in detail. As he betrays none of their secrets, he enjoys great prestige in the bistros where he works. The three of them lead a casual life, raising money by illicit means. It's only when Poulou and Amar leave that Jibé understands his isolation and marginalization. The images as well as the sounds help to reinforce the feeling that Paris is a city where he is both at home and a terrible stranger.
Rendezvous
A high-speed drive through the streets of Paris.
The Man Who Loved Women
At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.
The Beat That My Heart Skipped
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
The Spanish Apartment
A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.
Goodbye, Petrushka
Claire moves impulsively from NYC to Paris, where she nannies for the family from hell, battles wacky French bureaucrats, embarrasses herself in front of her Parisian crush and navigates a toxic relationship - among other faux pas.
As Husbands Go
Lucille Lingard and her friend Emmie bid farewell to their European friends on their last night in Paris. Lucille has fallen for the debonair Ronald Derbyshire and dreads returning to her mundane Midwestern hometown in Iowa and her stolid husband Charles. Back in America, Lucille plans to get a divorce and is delighted when Ronald show up. However, he and Charles unexpectedly become close friends, and Ronald admits that he does not find Lucille as attractive as he did in Paris. He leaves the next day and Lucille stays with her husband, won over once more to her family life.
Phantom
2006 Takarazuka Revue Flower Troupe production of Maury Yeston and Arthur Kopit's "Phantom."